The Banquet -2006- ★ Extended & Fast

The deep, aching cello and haunting vocalizations (including a heartbreaking cover of "In the Mood for Love" transformed into a funeral hymn) give the film its melancholic soul. It’s not martial—it’s mournful.

Unlike Hamlet , where order is (sort of) restored, The Banquet ends with a rain of arrows, chaos, and the Empress’s death—no one wins. The deep layer: power is a poisoned cup everyone drinks from eventually. The final line (often quoted): “One hundred generations pass, and love remains the only sorrow.” the banquet -2006-

The true deep piece is the Empress (Zhang Ziyi) . She’s not Gertrude or Ophelia—she’s a mix of Lady Macbeth and a survivalist. Her arc: from a victim of the usurper emperor to a woman who begins to wield power, then gets undone by her own hunger for it. The film's final shot of her bleeding out, crawling toward a cup of wine, is a brutal comment on ambition and futility. The deep, aching cello and haunting vocalizations (including