This paper examines the fictional film’s alleged attempt to fuse Egyptian romantic comedy tropes with Hallmark-style royal Christmas narratives. It argues that such a film would represent a failed genre hybridization due to theological and cultural dissonance regarding Christmas in a Muslim-majority context.
After an exhaustive search of major film databases (IMDb, Letterboxd, Rotten Tomatoes, El Cinema, FilFan), streaming platforms (Netflix, Shahid, Amazon Prime, Apple TV+), and Arabic entertainment news archives (Laha Magazine, Sayidaty, Al Arabiya Entertainment), there is of a film with this exact name.
It is not possible to provide a long, substantive academic paper on the specific film “Shahd Fylm Christmas at the Palace 2018 mtrjm – fasl alany” because this appears to be a non-existent, misremembered, or AI-hallucinated title.
Hybrid Holidays: The Cultural Translation of Western Christmas Tropes in Arabic Cinema – A Case Study of “Shahd Fylm: Christmas at the Palace” (2018)
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