Pulimurugan — Songs

The Pulimurugan soundtrack was an anomaly. In an era of digital synth-pop, Gopi Sundar bet on raw, earthy percussion and folk vocals. The songs didn’t just support the film; they became cultural touchstones. “Mada Mada” crossed 100 million views on YouTube. The Tiger’s Theme was remixed for live stage shows. Even today, at temple festivals or football matches, you’ll hear someone whistle the theme and see a crowd instinctively roar back.

When director Vysakh and actor Mohanlal teamed up for Pulimurugan , they weren’t just making a film about a man who hunts man-eating tigers with his bare hands. They were crafting a visceral, rustic action epic set deep in the forests of Kerala. For that, the visuals alone wouldn’t suffice. The film needed a sonic identity—raw, folk-rooted, and electrifying. That task fell to composer Gopi Sundar and lyricist Rafeeq Ahamed. pulimurugan songs

The album opens with “Mada Mada,” a celebratory folk anthem that introduces Murugan (Mohanlal) as a larger-than-life figure in his village, Vellikkavala. The song is a high-energy mix of oppana and gaana rhythms, featuring thumping percussion and a catchy chorus. Sung by MG Sreekumar and Varsha Renjith, its lyrics describe Murugan’s fearless nature. What makes it iconic is the choreography—Mohanlal’s raw, uninhibited dance moves in mud and rain. The song became a festival staple, played for years in local celebrations. The Pulimurugan soundtrack was an anomaly

The music of Pulimurugan proved that a hero’s legend is incomplete without his anthem. And in Murugan’s case, the songs didn’t just tell his story—they made you feel the jungle in your bones. “Mada Mada” crossed 100 million views on YouTube

The only melancholic piece in the album, this song is a sorrowful ode to Murugan’s past. Sung by Shreya Ghoshal and Vijay Yesudas, it plays during a flashback revealing how his father was killed by a tiger. The lyrics speak of a “kallan kattadi” (thief-like forest) and a childhood stolen by fear. The melody is haunting, based on the Neelambari raga, giving it a classical yet folk feel. It’s a brief but crucial break from the action, showing the vulnerability behind the hunter.