First created in 2011 for RepRap and Ultimaker by Erik van der Zalm et. al., today Marlin drives most of the world's 3D printers. Reliable and precise, Marlin delivers outstanding print quality while keeping you in full control of the process.
As an Open Source project hosted on Github, Marlin is owned and maintained by the maker community. Learn how you can contribute!
Download Marlin 2.1.2.7
Consider Emma Thompson in Good Luck to You, Leo Grande (2022). At 63, Thompson (who also wrote the film) spent a significant portion of the screen time nude, exploring a widowed woman’s reawakening to physical pleasure. The film wasn’t a tragedy or a cautionary tale; it was a joyful, hilarious, and tender comedy. It was a hit. Similarly, Michelle Yeoh—just months before her 60th birthday—delivered Everything Everywhere All at Once , a film that placed a middle-aged immigrant laundromat owner into a multiverse of action and emotional reconciliation. She didn’t just win the Oscar; she redefined the action heroine. Mature women have also discovered the power of the anti-hero. The streaming boom has created a hunger for complex, morally ambiguous characters, regardless of age.
As (70) famously said when asked about age limits in acting: "I don't feel young. I don't feel old. I feel like I'm alive." MilfBody 24 07 05 Penny Barber Better Late Than...
That barrier has been obliterated.
Now, the industry is celebrating natural texture. Andie MacDowell famously stopped dyeing her hair and walked the runway at Paris Fashion Week with a crown of silver curls, then brought that same authenticity to her roles. Helen Mirren has long been the standard-bearer, but the new guard—Naomi Watts, Nicole Kidman, and Laura Dern—are insisting on scripts that allow them to look tired, angry, wrinkled, and real. Consider Emma Thompson in Good Luck to You,
The success of Book Club (2018) and its sequel, featuring Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen (with a combined age of over 300), sent a clear message: these films print money. They are comfort food with a side of sass. Similarly, the documentary Hallelujah: Leonard Cohen, a Journey, a Song saw a massive audience in the 60+ female bracket, proving that the "silver dollar" is a reliable box office bet. We are in a renaissance, but it is fragile. The "mature woman" role is still often limited to the rich, eccentric, or magical. We have yet to see the full spectrum: the working class woman over 60 as a romantic lead; the sci-fi general who is 75; the buddy comedy featuring two 80-year-old women. It was a hit