This is a radical departure from typical Kamen Rider protagonists (who are usually energetic high schoolers or righteous cops). Sento is a man running from a past he can’t access, yet his body remembers—his hands instinctively perform complex chemistry, his eyes calculate angles for a Rider Kick. His catchphrase, “Let’s begin the experiment,” is a coping mechanism. Every fight, every transformation, is an attempt to reverse-engineer the mystery of who he is.

This isn’t just set dressing. The divided Japan functions as a prison and a Petri dish. The Smash (the monsters of the week) are not demons; they are citizens of Touto who have been abducted and subjected to “Nebula Gas” experiments by Faust, a shadowy organization. The horror is systemic: your neighbor could be turned into a rage-beast overnight. Sento’s battles are not just about saving people—they are about stabilizing a fragile cold war. When he transforms, he is literally a weapon that could tip the balance of power, which is why Touto’s government (through Misora and her father) is so eager to control him.

Episode 1 of Kamen Rider Build ends not with a celebration, but with a question. Sento stands over Kasumi’s remains, Ryuga punches a wall in grief, and the Night Rogue watches from the shadows. The title card appears: “They Are the Best Match.” Who? Sento and Ryuga? Or Sento and his own lost identity?

The episode cleverly links his identity crisis to the transformation system. To become Build, he must twist the Rabbit and Tank FullBottles together—two incompatible objects (speed vs. armor) forced to coexist. That is Sento: a gentle musician and a ruthless physicist, a victim and a weapon.

This stands in stark contrast to the Smash, which are pure, unthinking chaos. Faust’s goal, revealed via the mysterious Night Rogue, is to create the ultimate chaotic being. Build is the answer to that: controlled chaos.

Introduction: A Gambatte Reboot