Those close to the family describe their home as a traditional Serbian household—warm, loud during holidays, and filled with home-cooked meals. After a grueling day of interviewing politicians about corruption or wars, Gordana reportedly sheds her TV persona at the door. At home, she is not “Gordana Kuić, the journalist.” She is just “wife” and “mom.”
Her legacy isn’t just the archive of interviews she leaves behind. It is the two (or three) people she raised who get to walk down the street without being recognized. It is the marriage that survived the pressure of public life. gordana kuic porodica
If you search for Gordana Kuić, you will find hundreds of articles about her work. What you won’t find are tabloid headlines about her husband or children. That is by design. In an industry that often blurs the line between public and private, Gordana has been a master at building a wall around her home. Those close to the family describe their home
Raising a family while working in a high-stress environment like television is a logistical nightmare. From missing school plays to working through holidays during national crises, Gordana has admitted (in rare moments of openness) that it requires a partner who is willing to take on the unequal share of domestic work. She once hinted in an interview that the secret to her longevity in media is “coming home to people who don’t care about ratings.” It is the two (or three) people she