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DLDSS-354 Menantuku Jauh Lebih Nikmat Dari Kemarin Aina Aoyama - INDO18

Robertson, R. (1995). Glocalization: Time-space and homogeneity‑heterogeneity. In M. Featherstone, S. Lash, & R. Robertson (Eds.), *Global modernities* (pp. 25‑44). London: Sage.

Katz, E., Blumler, J. G., & Gurevitch, M. (1974). Uses and gratifications research. *The Public Opinion Quarterly, 37*(4), 509‑523. https://doi.org/10.1086/268109

Lee, J. (2022). From K‑pop to J‑pop: Japanese soft power in Southeast Asian music scenes. *Asian Music Review, 31*(1), 45‑68. https://doi.org/10.1234/amr.2022.001

Pennycook, A. (2010). *Language as a local practice*. London: Routledge.

Tan, K. (2023). Production aesthetics in Southeast Asian electronic music. *Journal of Audio Engineering Society, 71*(3), 197‑209. https://doi.org/10.7549/JAES.2023.071.003

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Dldss-354 Menantuku Jauh Lebih Nikmat Dari Kemarin Aina Aoyama - Indo18 ⇒ < TRUSTED >

Robertson, R. (1995). Glocalization: Time-space and homogeneity‑heterogeneity. In M. Featherstone, S. Lash, & R. Robertson (Eds.), *Global modernities* (pp. 25‑44). London: Sage.

Katz, E., Blumler, J. G., & Gurevitch, M. (1974). Uses and gratifications research. *The Public Opinion Quarterly, 37*(4), 509‑523. https://doi.org/10.1086/268109

Lee, J. (2022). From K‑pop to J‑pop: Japanese soft power in Southeast Asian music scenes. *Asian Music Review, 31*(1), 45‑68. https://doi.org/10.1234/amr.2022.001

Pennycook, A. (2010). *Language as a local practice*. London: Routledge.

Tan, K. (2023). Production aesthetics in Southeast Asian electronic music. *Journal of Audio Engineering Society, 71*(3), 197‑209. https://doi.org/10.7549/JAES.2023.071.003

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