In an era of "elevated horror" and "prestige drama," the Charley Chase MegaPack is a reminder that pure, physical, plot-driven comedy is an art form. Chase is the comedian your favorite comedian’s favorite comedian. Groucho Marx admired him. Jerry Lewis copied his rhythm. Mel Brooks quotes his gags.
Chase’s genius was narrative structure. His shorts (mostly for the Hal Roach studio, home of Laurel & Hardy and Our Gang) are miniature masterpieces of cause-and-effect chaos. A simple lie about knowing how to dance leads to a shattered car radiator, a stolen police horse, and a wedding cake falling off a cliff. While specific box sets vary, a true "Charley Chase MegaPack" typically bundles his finest surviving works, often spanning the late 1920s through the mid-1930s. Here are the crown jewels you’ll likely find: Charley Chase MegaPack
In the golden age of silent and early sound comedy, a few names dominate the conversation: Chaplin, Keaton, Lloyd, and later, Laurel & Hardy. But lurking just beneath that A-list is a man who might have been the most consistently hilarious of them all. His name is Charley Chase. In an era of "elevated horror" and "prestige
If you love perfectly tailored suits, double-takes that defy physics, and plots that spiral from "minor misunderstanding" into "absolute urban warfare," you need this collection. Born Charles Parrott in Baltimore in 1893, Chase was a triple-threat: director, writer, and star. While his contemporaries played tramps (Chaplin), stone-faces (Keaton), or go-getters (Lloyd), Chase played the everyday man —specifically, the everyday man who has just accidentally set his mother-in-law’s hat on fire while trying to impress a girl. Jerry Lewis copied his rhythm
Stop searching for the "deep cut." Stop pretending you’ve seen every Keaton short.