RAMELLA & C.
Textile machines
made in Italy since 1947
made in Italy since 1947
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The carding machine is the heart of the spinning mill.
After the scoured fiber has been opened with the picker, the carder disentangles the unorganized tufts and aligns the individual fibers into a parallel arrangement.
The carder achieves this by passing the fibers between differentially moving rollers covered with card clothing.
As the fiber moves through the machine, the carding process ejects short fibers and begins blending different fiber types or colors.
In an anime landscape often defined by extended serialization and the implicit safety net of plot armor, Akame ga Kill! Season 1 arrives as a brutal, uncompromising gauntlet. Directed by Tomoki Kobayashi and produced by White Fox, the 24-episode adaptation of Takahiro’s manga presents a grimdark fantasy where idealism collides head-on with the machinery of a corrupt empire. While often dismissed as mere shock-value tragedy, the first season of Akame ga Kill! is a deliberate and effective deconstruction of shonen tropes, using its staggering mortality rate not for nihilistic pleasure, but as a narrative tool to explore the true cost of revolution and the subjective nature of justice.
Beneath the bloodshed, the season poses a profound philosophical question: Is it just to kill a few to save the many? Night Raid operates on utilitarian logic, systematically eliminating figures like the sadistic Minister Honest and the twisted Dr. Stylish. Yet, the series complicates this through characters like Seryu Ubiquitous, a Jaeger who genuinely believes she is a paragon of justice while committing atrocities in the Empire’s name. Her death is one of the most disturbing in the series, not because it is graphic, but because her fanatical loyalty highlights the dangerous ease with which ideology can corrupt righteousness. Ultimately, the new empire established after Honest’s fall is not a utopia; it is a fragile, bleeding nation. The final image of a young, reformed emperor learning to plow a field with commoners suggests that justice is not a destination but an ongoing, painful process of reconstruction. Season 1 refuses to offer catharsis; it offers only exhausted survival. akame ga kill season 1
The series establishes its thesis immediately through its protagonist, Tatsumi. A wide-eyed country boy arriving in the capital to earn money for his impoverished village, Tatsumi embodies the classic heroic archetype: brave, loyal, and fundamentally good. However, the capital quickly shatters his naivety. He witnesses public torture, aristocratic decadence, and the cold-blooded murder of his traveling companions. His subsequent recruitment into Night Raid—a band of government-assassins-for-hire—marks the inversion of the typical hero’s journey. Instead of climbing a ladder of power, Tatsumi descends into a moral abyss. Night Raid is not a band of pure heroes; they are killers who believe they serve the greater good by eliminating corrupt officials. Season 1’s central conflict is not merely “good vs. evil” but “justice vs. justice,” as the Empire’s own elite force, the Jaegers, are composed of equally sympathetic characters fighting to preserve order. This moral ambiguity prevents the viewer from ever feeling comfortable with the violence, forcing a constant re-evaluation of who deserves to live or die. In an anime landscape often defined by extended
The most defining—and polarizing—feature of Akame ga Kill! is its relentless willingness to kill off main characters. From the tragic demise of the gentle giant Sheele to the heroic sacrifice of the narcissistic Mine, and finally to the shocking death of the protagonist Tatsumi himself, the series weaponizes mortality. However, these deaths are not random. Each death serves a distinct dramatic purpose. Sheele’s death establishes that no one is safe, raising the stakes for every subsequent mission. Leone’s final, lonely death after achieving her dream subverts the expectation of a victorious celebration. Tatsumi’s sacrifice—stopping the ultimate Imperial Arm, Shikoutazer, at the cost of his own life—completes his arc from naive boy to selfless revolutionary. He does not become the emperor; he becomes the shield. By killing its hero, the show argues that true revolution is not a springboard for individual glory but a furnace that consumes even the most deserving. The surviving heroine, Akame, is left not to rule, but to wander as a cursed sword, a poignant reminder that victory and personal happiness are rarely synonymous. While often dismissed as mere shock-value tragedy, the
In conclusion, Akame ga Kill! Season 1 is a challenging, often harrowing work that uses the aesthetics of a battle shonen to deliver a tragedy of political realism. It strips away the fantasy of the chosen one and the reassurance of plot armor, leaving behind a raw meditation on sacrifice, guilt, and the unglamorous face of rebellion. By the final frame, as Akame walks alone into the horizon, the viewer understands that the series’ title is a promise: she, the survivor, must kill not just her enemies, but the very hope for a peaceful ending. For those who can stomach its brutality, Akame ga Kill! offers one of the most honest portrayals of what it truly means to fight for a better world—and the terrible price of winning.
Beyond the Edge of Hope: Deconstructing Justice and Mortality in Akame ga Kill! Season 1
The Ramella carder has a long conveyor for feeding the fiber into the inlet, after which the fiber is carded by the large main drum and 5 worker rollers.
At the exit the doffer roller and high-speed fly comb create a fiber web, which can be rolled to produce a batt or pulled through a twister to produce sliver.
The carder is mounted on a solid steel support structure and is completely enclosed by an external safety cage.
The carder can be equipped with an automatic feeder and/or a can coiler.
We produce carding machines with 2 different working widths:
• 80 cm (32") suitable for small production facilities and laboratories
• 100 cm (40") the standard ideal for typical small mills with medium production
The productivity of the carder depends on the type of fiber worked and the temperature and humidity conditions in the mill, but, for example, sheep wool run through the 100 cm (40")
carder can generally be processed at a rate of about 6 kg (13 lb) per hour.
For maximum flexibility the user can produce either sliver or batts from the carded fiber.
In the first case, it is possible to obtain a continuous ribbon (sliver) that can be further processed by drafting and spinning in order to make yarn.
In the second case, the web can be rolled onto a cylinder to create a batt of desired thickness.
Both output devices are included with the standard version of the machine.
With the Ramella carder, several output choices are available.
• Machine mounted twister and batt roller. This is the most economical choice for those who will produce either sliver or batts without switching often between the two.
• Trolley mounted twister, batt roller and rug yarn maker. The wheeled trolley cart allows easy switching between the sliver twister and the batt roller without the need to reconfigure the machine or lift the heavy roller.
This choice is ideal for those who will regularly produce sliver, batts and rug yarn.
The batt roller is available in 2 sizes: circumference 100 cm (40") and circumference 200 cm (80").
With the basic version of the Ramella carder you can create sliver and batt from raw fibers but we can also offer optional machines to make the process easier and more automated.
• The automatic feeder weighs the fibers and creates a uniform layer on the carder conveyer, which minimizes the manual work necessary to load the carder.
• The can coiler winds the sliver into a compact, continuous coil, which facilitates transport of the fiber from one machine to the next and allows uninterrupted feeding of the sliver into the drafter or spinner.
We have designed a unique real-twist system that strengthens the output sliver and prevents sliver breakage, especially when carding low cohesion fibers such as alpaca.
This system consists of a rotating funnel with varied speed control, allowing the user to precisely define the amount of twist added to the sliver, which then enters a set of rollers that assist in delivering the sliver to the coiler can.
Three different funnel sizes come standard with the machine, allowing maximum control of the sliver thickness.
The Ramella carder easily handles typical fiber staple lengths from 4 cm (1.5") to 15 cm (6"), with some mills also processing 20-25 cm (8-10") suri fiber.
With standard card clothing, fine fibers with a thickness as little as 2 to 3 microns can be carded.
If required, we can also furnish a carder with a finer wire designed specifically for processing extra-fine fibers, as low as 0.7 micron.
Small production mills use our carding machine to process fibers like sheep wool, alpaca (both huacaya and suri), angora, cotton, yak, bamboo and hemp.
Industrial laboratories test synthetic fibers such as polyester, polyethylene, nylon, and aramid.
The carder is driven by 4 independent motors that are electronically controlled by inverters.
However, the exit speed is electronically coupled to the inlet speed, allowing the user to increase or decrease the carding productivity during a run without changing the weight of the sliver.
The electronic controllers are contained in a panel with filtered ventilation to protect the sensitive electronic parts.
The control dials are easily accessed on the outside of the panel and every parameter can be easily adjusted on a large touchscreen.
Button panels located on both sides of the carder allow simple starting and stopping of the machine at both the entry and the exit.
For maximum safety, our carding machine is fully enclosed by an external frame made of anodized aluminum, which is lightweight, yet sturdy, and resists corrosion.
The protective doors are hinged so they can be quickly and easily opened for cleaning and maintenance.
Three automatic safety devices prohibit the doors from being opened while the machine is running.
The safety structure protects the worker while allowing a wide view and the complete control of the machine during the process.
The carding machine is equipped with a high-speed fly comb that removes the fibers from the doffer roller.
The structure of the fly comb is balanced so as to reduce vibrations and minimize wear of the bearings.
The lever control allows easy adjustment and quick maintenance of the blade.
The fly comb is mounted on oscillating bearings with seals that can be easily lubricated, with 4 screws to allow accurate positioning with respect to the distance from the doffer cylinder.
The fly comb blade connectors are covered with a smooth tin plate that eliminates rough surfaces where fiber could catch, ensuring the formation of an even fiber web at the exit.
• An extremely solid and stable structure, made to last.
• The components are machined for maximum precision and quality.
• The cylinders are driven independently by 4 motors with electronic speed control.
• The rigid card clothing is durable and allows quick cleaning after each carding run.
• All cylinders are mounted on sealed ball bearings without bushings.
• A modern design specifically created to meet the needs of small production mills and laboratories.
In carding machines two factors are critical, the solidity of the structure and the precision of the mechanical parts.
The Ramella carder is characterized by a 4 cm (1.6") thick, fully machined steel frame connected by solid steel crossbeams. This structure is approximately 10 times stronger than one formed from welded tubes.
Furthermore, all of the rotating parts are precisely machined and are equipped with micro adjustment, which permits exact roller positioning at micron distances, but more importantly, once the positioning is set, it does not move, resulting in both a consistent, high quality product and longer machine life.
Built to last, all surfaces are painted or chemically treated to resist corrosion.
Every single detail of the Ramella carding machine has been designed using modern 3D CAD.
All of the components have been designed to obtain a high-performance machine with an excellent quality/price ratio.
Even the electric panel has been designed in order to make the use of the carder simple and intuitive.
We use CNC lathes, milling machines and modern laser cutters in the production of the carder components that we make in-house.
The steel used is of premium quality and all of the commercial components come from suppliers with well-known brands.
In addition to the features mentioned above many other details give value to our carding machine:
• The use of sealed bearings instead of bushings ensures a long machine life and continued quality output for many decades.
• The supports of the worker and stripper rollers have an upper cover that can be easily removed for quicker maintenance.
• The use of rigid card clothing allows the machine to quickly self-clean after each run.
• A solid input unit with 3 rollers plus a licker-in roller enhances fiber tuft opening, resulting in effective carding with just one pass.
• Spare parts are readily available on the market.
Electric specifications:
Installed power: 4.5 kW + 0.4 kW (Can coiler)
Power consumption: 3.4 kW
Single phase 230V 50/60Hz (customizable)
Size (length x width x height):
Carder 800 mm: 3110 mm x 1770 mm x 2200 mm (122'' x 70'' x 87'')
Carder 1000 mm: 3110 mm x 1970 mm x 2200 mm (122'' x 78'' x 87'')
Download CAD layout drawing - Carder version 800 mm - 32'' (PDF version)
Download CAD layout drawing - Carder version 1000 mm - 40'' (PDF version)
In an anime landscape often defined by extended serialization and the implicit safety net of plot armor, Akame ga Kill! Season 1 arrives as a brutal, uncompromising gauntlet. Directed by Tomoki Kobayashi and produced by White Fox, the 24-episode adaptation of Takahiro’s manga presents a grimdark fantasy where idealism collides head-on with the machinery of a corrupt empire. While often dismissed as mere shock-value tragedy, the first season of Akame ga Kill! is a deliberate and effective deconstruction of shonen tropes, using its staggering mortality rate not for nihilistic pleasure, but as a narrative tool to explore the true cost of revolution and the subjective nature of justice.
Beneath the bloodshed, the season poses a profound philosophical question: Is it just to kill a few to save the many? Night Raid operates on utilitarian logic, systematically eliminating figures like the sadistic Minister Honest and the twisted Dr. Stylish. Yet, the series complicates this through characters like Seryu Ubiquitous, a Jaeger who genuinely believes she is a paragon of justice while committing atrocities in the Empire’s name. Her death is one of the most disturbing in the series, not because it is graphic, but because her fanatical loyalty highlights the dangerous ease with which ideology can corrupt righteousness. Ultimately, the new empire established after Honest’s fall is not a utopia; it is a fragile, bleeding nation. The final image of a young, reformed emperor learning to plow a field with commoners suggests that justice is not a destination but an ongoing, painful process of reconstruction. Season 1 refuses to offer catharsis; it offers only exhausted survival.
The series establishes its thesis immediately through its protagonist, Tatsumi. A wide-eyed country boy arriving in the capital to earn money for his impoverished village, Tatsumi embodies the classic heroic archetype: brave, loyal, and fundamentally good. However, the capital quickly shatters his naivety. He witnesses public torture, aristocratic decadence, and the cold-blooded murder of his traveling companions. His subsequent recruitment into Night Raid—a band of government-assassins-for-hire—marks the inversion of the typical hero’s journey. Instead of climbing a ladder of power, Tatsumi descends into a moral abyss. Night Raid is not a band of pure heroes; they are killers who believe they serve the greater good by eliminating corrupt officials. Season 1’s central conflict is not merely “good vs. evil” but “justice vs. justice,” as the Empire’s own elite force, the Jaegers, are composed of equally sympathetic characters fighting to preserve order. This moral ambiguity prevents the viewer from ever feeling comfortable with the violence, forcing a constant re-evaluation of who deserves to live or die.
The most defining—and polarizing—feature of Akame ga Kill! is its relentless willingness to kill off main characters. From the tragic demise of the gentle giant Sheele to the heroic sacrifice of the narcissistic Mine, and finally to the shocking death of the protagonist Tatsumi himself, the series weaponizes mortality. However, these deaths are not random. Each death serves a distinct dramatic purpose. Sheele’s death establishes that no one is safe, raising the stakes for every subsequent mission. Leone’s final, lonely death after achieving her dream subverts the expectation of a victorious celebration. Tatsumi’s sacrifice—stopping the ultimate Imperial Arm, Shikoutazer, at the cost of his own life—completes his arc from naive boy to selfless revolutionary. He does not become the emperor; he becomes the shield. By killing its hero, the show argues that true revolution is not a springboard for individual glory but a furnace that consumes even the most deserving. The surviving heroine, Akame, is left not to rule, but to wander as a cursed sword, a poignant reminder that victory and personal happiness are rarely synonymous.
In conclusion, Akame ga Kill! Season 1 is a challenging, often harrowing work that uses the aesthetics of a battle shonen to deliver a tragedy of political realism. It strips away the fantasy of the chosen one and the reassurance of plot armor, leaving behind a raw meditation on sacrifice, guilt, and the unglamorous face of rebellion. By the final frame, as Akame walks alone into the horizon, the viewer understands that the series’ title is a promise: she, the survivor, must kill not just her enemies, but the very hope for a peaceful ending. For those who can stomach its brutality, Akame ga Kill! offers one of the most honest portrayals of what it truly means to fight for a better world—and the terrible price of winning.
Beyond the Edge of Hope: Deconstructing Justice and Mortality in Akame ga Kill! Season 1
Every single detail of the Ramella carding machine has been designed using modern 3D CAD.
All of the components have been designed to obtain a high-performance machine with an excellent quality/price ratio.
Even the electric panel has been designed in order to make the use of the carder simple and intuitive.
We use CNC lathes, milling machines and modern laser cutters in the production of the carder components that we make in-house.
The steel used is of premium quality and all of the commercial components come from suppliers with well-known brands.
In addition to the features mentioned above many other details give value to our carding machine:
• The use of sealed bearings instead of bushings ensures a long machine life and continued quality output for many decades.
• The supports of the worker and stripper rollers have an upper cover that can be easily removed for quicker maintenance.
• The use of rigid card clothing allows the machine to quickly self-clean after each run.
• A solid input unit with 3 rollers plus a licker-in roller enhances fiber tuft opening, resulting in effective carding with just one pass.
• Spare parts are readily available on the market.
Electric specifications:
Installed power: 4.5 kW + 0.4 kW (Can coiler)
Power consumption: 3.4 kW
Single phase 230V 50/60Hz (customizable)
Size (length x width x height):
Carder 800 mm: 3110 mm x 1770 mm x 2200 mm (122'' x 70'' x 87'')
Carder 1000 mm: 3110 mm x 1970 mm x 2200 mm (122'' x 78'' x 87'')
Download CAD layout drawing - Carder version 800 mm - 32'' (PDF version)
Download CAD layout drawing - Carder version 1000 mm - 40'' (PDF version)
